© Leonor Hipólito. All Rights Reserved
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Bio/CV (ENG)
Books
Writings
Website
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Coleção Tereza Seabra / MUDE — Museu do Design
A Coleção de Tereza Seabra de Joalharia Contemporânea foi doada ao MUDE — Museu do Design e está presentemente em exibição, numa mostra integrada na programação oficial da 3ª Bienal de Joalharia Contemporânea de Lisboa
Nas imagens abaixo vê-se a minha peça Shape-shifter #1 e a peça sem título de Isabella Perillo, incluídas no catálogo, e duas vistas da exposição
O design e conceção gráfica do catálogo Acervo MUDE — Joalharia Contemporânea / Coleção Tereza Seabra são de Arne Kaiser
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Tereza Seabra Collection / MUDE — Museum of Design
The Tereza Seabra Contemporary Jewellery Collection was donated to MUDE — Museum of Design and is currently on display, in an exhibition that is part of the official program of the 3rd Lisbon Contemporary Jewelry Biennial
In the images below you can see my piece Shape-shifter #1 and the untitled piece by Isabella Perillo included in the catalog, as well as two views of the exhibition
The design and graphic conception of the catalog The MUDE Collection — Contemporary Jewellery / Tereza Seabra Collection are by Arne Kaiser
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Revista Brotéria
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The places where meaning breaks down
é o título da exposição de Eduardo Sousa Ribeiro e Leonor Hipólito, marcando a sua segunda colaboração.
Para esta exposição na Procur.arte, os dois artistas voltam a dialogar em torno da espacialidade e da materialidade, dando ênfase ao corpo, ao gesto, à imagem e à forma, num percurso que acompanha a arquitetura do espaço expositivo.
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this is the title of the exhibition by Eduardo Sousa Ribeiro e Leonor Hipólito, marking their second collaboration.
For this exhibition at Procur.arte the two artists return to a dialogue around spaciality and materiality, emphasizing the body, gesture, image and form, in a journey that follows the architecture of the exhibition space.
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Tecido à meia-luz
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Metamorphoses?
Palo Santo charcoal on paper, 2026
In recent years, and in many of my works, I have been emphasizing intuition as a predominant means of creation. For that, I allow myself to sense rather than plan. Such is the case with these drawings. They are made at a moment of the day when I need to calibrate myself. So I slow down and give myself a moment to sense my inner landscape, intuit what pulls me, and draw it. Whether the drawings reach a pleasing outcome or not is not the aim. I accept either way. But I draw them, adding layers if necessary, until I reach a stopping point.
Their title is “Metamorphoses?” and they are made by burning palo santo, allowing the texture of the burning wood to determine the line and color of the drawings.
Their title is “Metamorphoses?” and they are made by burning palo santo, allowing the texture of the burning wood to determine the line and color of the drawings.
see more here
